2005, ISBN: 9780708817544

Pasta blanda, Pasta dura, Primera edición

London, United Kingdom: Allen Lane, 2003. Hard Cover. Very Good/Very Good. Hardback book with dust jacket, in very good condition. May have slight edgewear/shelfwear, other defects if a… Más…

London, United Kingdom: Allen Lane, 2003. Hard Cover. Very Good/Very Good. Hardback book with dust jacket, in very good condition. May have slight edgewear/shelfwear, other defects if any will be minor., Allen Lane, 2003, London: Michael Joseph, 1987. Soft cover. Good/No Jacket (as published). 7.5x10.5. A guide to where to find wildlife in the heart of England's capital. All orders processed and shipped promptly from the UK, usually within 24 hours. Call or email us with your questions by going to "Bookseller & Payment Information" below and then "Ask bookseller a question" or "View Booksellers Homepage"., Michael Joseph, 1987, London: Michael Joseph, 1982. marks on rear and front endpapers where dj was taped to inside covers. First British Edition. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall., Michael Joseph, 1982, Storey Publishing, LLC. Very Good/No Jacket. 2003. 1st Edition. Paperback. 1580174299 2003 Storey Publishing first thus paperback; Very Good little-used ex-library copy, usual stamps and plate; protected in removable plastic sleeve; UK dealer, immediate dispatch ., Storey Publishing, LLC, 2003, New York U. S. A.: Pocket Star. As New 2005. Paperback. Marfree later prtg movie tie-in, not marked-in, underscored, clearance or discard. Mails from NYC usually within 12 hours. ; 6.8 x 4.2 x 1.3 inches; 560 pages; \nOnline Rev: British diplomat Justin Quayle, complacent raiser of freesias and doting husband of the stunning, much younger Tessa, has tended his own garden in Nairobi too long. Tessa is Justin's opposite, a fiery reformer, "that rarest thing, a lawyer who believes in justice, " whose campaigns have earned her a nickname: "the Princess Diana of the African poor. " But now Tessa has turned up naked, raped, and dead on a mysterious visit to remote Lake Turkana in Kenya. Her traveling companion (and lover? ) , the handsome Congolese-Belgian doctor Arnold Bluhm, has vanished. So has Quayle's complacency. Tessa had been compiling data against a multinational drug company that uses helpless Africans as guinea pigs to test a tuberculosis remedy with unfortunately fatal side effects. Her report was destroyed by her husband's superiors; was she? It's all somehow connected to the sinister British firm House of ThreeBees, whose ad boasts that it's "buzzy for the health of Africa!" John le Carré symbolically associates ThreeBees with an ominous buzz in the Nairobi morgue: "Over [the corpses], in a swaying, muddy mist, hung the flies, snoring on a single note. " The home office tries to take Quayle in out of the cold. He cleverly eludes their clammy embrace, turns spy, and takes off on a global chase to avenge Tessa and solve her murder. Le Carré has lost none of his gift for setting vivid scenes in far-flung places expertly described: London, Germany, Saskatchewan, Kenya. His sprinting thriller prose remains in great shape. And thanks to his 16 years in the British Foreign Office, his merciless send-up of its cutthroat intrigues and petty self-delusions is unbelievably good--or rather, believably so. This is global do-gooder satire on a literary par with Doris Lessing's The Summer Before the Dark. But you want to know if The Constant Gardener is as good as Tinker, Tailor, Soldier, Spy. Very nearly. Africa's nightmare is more complex than the cold war chess match, and the world pharmaceutical circus is tougher to dramatize than the old spy-versus-spy-versus-spymaster game. Still, le Carré can write a smart, melancholy page-turner, and his moral outrage (the real subject of his books) burns as brightly as ever. --Tim Appelo From Publishers Weekly As the world seems to move ever further beyond the comparatively clear-cut choices of the Cold War into a moral morass in which greed and cynicism seem the prime movers, le Carr 's work has become increasingly radical, and this is by far his most passionately angry novel yet. Its premise is similar to that of Michael Palmer's Miracle CureDcynical pharmaceutical firm allied with devious doctors attempts to foist on the world a flawed but potentially hugely profitable drugDbut the difference is in the setting and the treatment. Le Carr has placed the prime action in Africa, where the drug is being surreptitiously tested on poor villagers. Tessa Quayle, married to a member of the British High Commission staff in corruption-riddled contemporary Kenya, gets wind of it and tries in vain to blow the whistle on the manufacturer and its smarmy African distributor. She is killed for her pains. At this point Justin Quayle, her older, gentlemanly husband, sets out to find out who killed her, and to stop the dangerous drug himselfDat a terrible cost. Le Carr 's manifold skills at scene-setting and creating a range of fearsomely convincing English characters, from the bluffly absurd to the irredeemably corrupt, are at their smooth peak here. Both The Tailor of Panama and Single & Single were feeling their way toward this wholehearted assault on the way the world works, by a man who knows much better than most novelists writing today how it works. Now subject and style are one, and the result is heart-wrenching. ., Pocket Star, 2005, Audio Literature, 1996-05-01. Audio Cassette. Very Good. 0787109665 From Publishers WeeklySean Dillon, master of disguise and steady Higgins hero (Angel of Death, etc.), returns for another go against political mayhem in the author's latest action-fest. A 1985 hijacking of gold bullion, masterminded by Irish Protestant terrorist Michael Ryan, ends with the ship that's carrying the booty sinking off Ireland. Ryan and his niece Kathleen flee to America while their presumed henchman, seemingly a sailor but actually a disguised Dillon, then an IRA enforcer, ostensibly returns to sea. Ten years later, Ryan is sprung from an American medical prison by a Mafia lawyer intent on retrieving the bullion. Soon the gold is the object of desire of the mob, a retired IRA chief of staff and British Intelligence, for whom Dillon now works. The cheeky, pint-sized Dillon tends toward occasional stage Irishness, and the other characterizations aren't much deeper, but readers riveted by Higgins's mastery of plot and pace won't mind at all. Winding up with a jaunty noir bounce, this is splendid high pulp-in other words, vintage Higgins. BOMC main selection. (June) ~ FYI: Two Sean Dillon novels, On Dangerous Ground and Eye of the Storm, will air later this year on Showtime as TV movies, starring Rob Lowe as Dillon.Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.From Library JournalThe fifth Sean Dillon adventure (the last was Angel of Death, LJ 3/1/95) finds the former terrorist involved with a group of Irish Protestant paramilitaries in 1985 as they hijack a truck carrying #100 million in gold bullion. Ten years later, Sean is working for British Intelligence when he is ordered to go after the gold again. Now he is to prevent the bullion from disrupting the peace between the Catholics and Protestants. Dillon, boss Brigadier Ferguson, and partner Hannah Bernstein must also deal with the Mafia. They ask 85-year-old Liam Devlin for help, and the IRA legend of past Higgins books is only too pleased to participate. The excitement never lags as each side double-crosses the others. Sean is too perfect, however, and the surprise ending is not a surprise. Even so, it is fun getting there. Recommended for popular collections.Andrea Lee Shuey, Dallas P.L.Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.From BooklistIn this sequel to the Sean Dillon saga (see Angel of Death ), the secret agent saves the peace in Northern Ireland through an ingenious masquerade that exploits his past as a dependable IRA man. Flash back to 1985 when Dillon, alias Michael Keogh, is sent by the Provos to infiltrate their archenemy, the Unionists. After ingratiating himself by knee-capping some Catholics, "Keogh" discovers an interesting plot afoot: his "comrade" Ryan plans to heist gold bullion in England, ship it back to Ulster, and finance his group's war against the IRA. Unfortunately, the plan founders along with the ship during a shoot-out; Keogh and Ryan trudge ashore to continue the story. Ten years pass, finding Ryan, the only one who knows the location of the shipwreck, doing time for killing an American police officer, while Keogh/Dillon has turned coats, working now, for no apparent motivation, for England's prime minister. The author is betting that his readers want action rather than explanation, which they get, courtesy of an unlikely plot accelerator: Ryan's trade of his knowledge for the Mafia's help in a jailbreak. Soon all parties converge over the old bones of the ship, but the gold is gone! You can bet it turns up somewhere else, but not until Dillon demonstrates his skill with a gun and in undercover work, the basis of his continuing appeal to Higgins' readers. Gilbert Taylor --This text refers to an out of print or unavailable edition of this title.From Kirkus ReviewsOnetime terrorist Sean Dillon goes for the gold once more, in a tired, overgalvanized treasure hunt aimed at die-hard Higgins regulars. Before he beat his IRA sword into the plowshare of Her Majesty's Secret Service, Dillon (Angel of Death, 1995, etc.) managed to infiltrate loose-cannon Irish Protestant Michael Ryan's plot to steal ?50 million in gold bullion to purchase weapons for the Loyalist cause. Ryan and his teenaged niece Kathleen, not realizing their strong right arm ``Martin Keogh'' was actually IRA stalwart Dillon, planned to hijack a gold shipment and transport the booty by sea to the Emerald Isle. But a dispute with the Ryans' other hirelings, the mercenary captain and crew, left the Irish Rose sunk in 90 feet of water. Now, ten years later, a lot of people suddenly get interested in the sunken treasure all over again. Mafia Don Antonio Russo wants to break Ryan out of a New York prison, where he's serving 25 years for shooting a cop, in return for the coordinates of the Irish Rose. Jack Barry, Dillon's old boss before he retired as IRA Chief of Staff, thinks the gold (now worth ?100 million) would come in handy in arming the Provos. The Ryans, forced into partnership with the hated Barry and the Mafia godfather, are just waiting for the moment when they can grab the loot that should have been theirs. And Dillon, now working for Brigadier Charles Ferguson and Chief Inspector Sarah Bernstein in the cause of peace, can't afford to let anybody else get their hands on the gold. With all these cross-plotters bustling about waving their Walthers, the scene is set for one of those patented Higgins climaxes in which the blood will flow like Bushmills. This time, though, the cast--even spitfire Kathleen Ryan, who comes across as one more dead-eyed avenger--seems glazed and over-rehearsed, as if they've run the familiar story through one Saturday matinee too many. (Book-of-the-Month Club main selection) -- Copyright ?, Audio Literature, 1996-05-01, Theme From ABC Pictures Corp. Motion Picture Lovers and Other Strangerswords by Robb Wilson & Arthur Jamesmusic by Fred Karlinpublished by Pamco Music, Inc. 19718 1/2 x 11 inches, 6 pages"For All We Know" is a soft rock song written for the 1970 film Lovers and Other Strangers, by Fred Karlin, Robb Wilson (Robb Royer) and Arthur James (Jimmy Griffin). Both Royer and Griffin were founding members of the soft-rock group Bread. It was originally performed by Larry Meredith. It is best known for a cover version by American pop duo Carpenters in 1971, which reached No. 3 on the US Billboard Hot 100 singles chart and No. 1 on the US Billboard Easy Listening chart. The song was also a hit for Shirley Bassey at the same time in the United Kingdom. It has since been covered by a large number of artists.The song became a Gold record. It won the Academy Award for Best Original Song in 1971.-----------------------------------Robert Wilson "Robb" Royer (born December 6, 1942 in Los Angeles, California) was the bassist, guitarist, keyboardist, and songwriter with Bread from 1968 to 1971. While he was with the band, they had a #5 UK/#1 US hit single with "Make It With You". He was replaced by Larry Knechtel in 1971.In 1970, Royer and Jimmy Griffin, under the pseudonyms Robb Wilson and Arthur James, wrote the lyrics for "For All We Know," featured in the film Lovers and Other Strangers. It won the Academy Award for Best Song.Before co-founding Bread, Royer had been a member of the band The Pleasure Fair, whose only album in 1967 was produced and arranged by David Gates, Royer's future bandmate in Bread.Now living and working in Nashville, his songwriting credits include works for Jimmy Griffin, The Remingtons, Mary Chapin Carpenter, John Michael Montgomery, Randy Travis, Billy Burnette, The Finnigan Brothers (Mike Finnigan) and others.-----------------------------James Arthur Griffin (August 10, 1943 January 11, 2005) was a singer, guitarist, and songwriter, best known for his work with the 1970s rock band Bread. He won an Academy Award for Best Song in 1970 as co-writer of "For All We Know".Griffin was born in Cincinnati, Ohio and grew up in Memphis, Tennessee. His musical training began when his parents signed him up for accordion lessons. He attended Kingsbury High School in Memphis and Dorsey and Johnny Burnette were his neighbors and role models. After the Burnette brothers moved to Los Angeles, California to further their music careers, Griffin went there to visit them, and managed to secure a recording contract with Reprise Records.His first album, Summer Holiday, was released in 1963. He had small roles in two films, For Those Who Think Young (1964) and None but the Brave (1965).In the 1960s, Griffin teamed with fellow songwriter Michael Z. Gordon to write songs for such diverse singers as Ed Ames, Gary Lewis, Bobby Vee, Brian Hyland, The Standells, Leslie Gore, Sandy Nelson and Cher. The pair won a BMI award for "Apologize".Griffin met Robb Royer through Maria Yolanda Aguayo (Griffin's future wife). The two hit it off immediately and became life-time collaborators both as performers and writers. Griffin was a staff writer with Viva Publishing and managed to get them to hire Royer as his co-writer in 1967. Viva was resistant to hiring Royer and instead wanted Griffin to write with another staff writer with the company. According to Royer, Griffin convinced Viva to hire Royer by threatening "I will be writing with him. Do you really want to give away half the publishing on all those songs?". James Griffin sang songs that were featured in a few episodes of the TV series 'Ironside' in the late sixties.-----------------------------Frederick James "Fred" Karlin (June 16, 1936 March 26, 2004) was an American composer of more than one hundred scores for feature films and television movies. He also was an accomplished trumpeter adept at playing jazz, blues, classical, rock, and medieval music.Born in Chicago, Illinois, he studied jazz composition with William Russo and earned a Bachelor of Arts degree from Amherst College, where he wrote his String Quartet No. 2 as his honors thesis. Following graduation, he moved to New York City, composing and arranging for various bands, including those of Benny Goodman, Harry James, and Chubby Jackson. During this period he also composed and arranged for documentaries, the Radio City Music Hall orchestra, and television commercials.In 1962, Karlin scored a record album for Columbia of extracts from the comic strip Peanuts, performed by actress Kaye Ballard as Lucy and songwriter Arthur Siegel as Charlie Brown. The innovative score was performed by Karlin entirely on children's musical instruments and toys.Karlin began his film career with Up the Down Staircase in 1967. Following in quick succession were Yours, Mine and Ours (1968), The Stalking Moon (1968), The Sterile Cuckoo (1969), The Baby Maker (1970), Cover Me Babe (1970) and Lovers and Other Strangers (1970). For the latter he wrote the music for the song "For All We Know", which won the 1971 Academy Award for Best Original Song and was a major hit for The Carpenters. The Sandpipers charted with another of his compositions, "Come Saturday Morning." Other Karlin scores were nominated for three Academy Awards, including one for the movie The Little Ark (Based on a novel by Jan de Hartog) in 1972, his wife, Marsha, was also nominated for the same film. His other film scores included The Marriage of a Young Stockbroker (1971), Believe in Me (1971), Every Little Crook and Nanny (1972), Westworld (1973), The Spikes Gang (1974), Chosen Survivors (1974), The Gravy Train (1974), Mixed Company (1974), Mastermind (1976), Baby Blue Marine (1976), Futureworld (1976), Greased Lightning (1977), Mean Dog Blues (1978), California Dreaming (1979), Cloud Dancer (1980) and Loving Couples (1980).However the bulk of Karlin's work was in television. His compositions were nominated for the Emmy Award eleven times, and he won for The Autobiography of Miss Jane Pittman in 1974. Other TV films included The Man Who Could Talk to Kids (1973), Born Innocent (1974), Bad Ronald (1974), The Dream Makers (1975), Dawn: Portrait of a Teenage Runaway (1976), Alexander: The Other Side of Dawn (1977), The Death of Richie (1977), Minstrel Man (1977, for which he received an NAACP Image Award), The Hostage Heart (1977), Christmas Miracle in Caufield, U.S.A. (1977), Lucan (1978), Strangers: The Story of a Mother and Daughter (1979), Vampire (1979), Sophia Loren: Her Own Story (1980), Miracle on Ice (1981), Bitter Harvest (1981), Inside the Third Reich (1982), Baby Sister (1983), Dadah Is Death (1988), Murder C.O.D. (1990), Her Wicked Ways (1991) and The Secret (1992).Karlin wrote three books about film composition, On the Track: A Guide to Contemporary Film Scoring (1990), Listening to Movies: The Film Lover's Guide to Film Music (1994), and 100 Great Film Scores, which was published posthumously in 2005. He also wrote a reference book detailing and cataloguing the thousands of recordings the Edison Company distributed between 1914 and 1929., Pamco Music, Inc., 1971, Great Britain: Futura Crime, 1980 St. Alazara- an isolated rural village, where nothing ever changed.until Kate Ellenwood came home to look after her invalid mother. And the whole town came alive with strange secrets.This is a very chilling tale. The book has been read, and has some shelf wear.There is a faint crease and corner turn to the bottom corner, book shop stamp to inner first page.Pages browning slightly, but are firm, and there is a lot of life left in the book., Futura Crime, 1980<

1980, ISBN: 0708817548

Pasta blanda

[EAN: 9780708817544], Gebraucht, sehr guter Zustand, [PU: Futura Crime, Great Britain], HORROR, Fiction|General, St. Alazara- an isolated rural village, where nothing ever changed.until K… Más…

[EAN: 9780708817544], Gebraucht, sehr guter Zustand, [PU: Futura Crime, Great Britain], HORROR, Fiction|General, St. Alazara- an isolated rural village, where nothing ever changed.until Kate Ellenwood came home to look after her invalid mother. And the whole town came alive with strange secrets.This is a very chilling tale. The book has been read, and has some shelf wear.There is a faint crease and corner turn to the bottom corner, book shop stamp to inner first page.Pages browning slightly, but are firm, and there is a lot of life left in the book.<