1997, ISBN: facb955cb46f064f58b4440bbcab62b3

Wiesbaden, 1885. Near fine. 14.5 cm b&w photograph pasted to 17 cm card. Pencil inscription on rear states Greek Church Wiesbaden 15/9/85., 1885, 4, Berkeley, California: University of … Más…

Wiesbaden, 1885. Near fine. 14.5 cm b&w photograph pasted to 17 cm card. Pencil inscription on rear states Greek Church Wiesbaden 15/9/85., 1885, 4, Berkeley, California: University of California Press, 1997. Second Cloth Printing. As New/Fine. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb says, "This original and sharply observant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women―the main element linking the three―is as much the index of difference among their art and experience as it is a passkey to what they share." xix (1) + 346 pp.Anne Middleton Wagner is Professor of the History of Art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire (1990). Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets., University of California Press, 1997, 5<

1997, ISBN: facb955cb46f064f58b4440bbcab62b3

Berkeley, California: University of California Press, 1997. Second Cloth Printing. Like New. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised ti… Más…

Berkeley, California: University of California Press, 1997. Second Cloth Printing. Like New. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb says, "This original and sharply observant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women―the main element linking the three―is as much the index of difference among their art and experience as it is a passkey to what they share." xix (1) + 346 pp.Anne Middleton Wagner is Professor of the History of Art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire (1990). Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets., University of California Press, 1997, 5<

1997, ISBN: facb955cb46f064f58b4440bbcab62b3

Berkeley, California: University of California Press, 1997. Second Cloth Printing. Like New. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised ti… Más…

Berkeley, California: University of California Press, 1997. Second Cloth Printing. Like New. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb says, "This original and sharply observant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women―the main element linking the three―is as much the index of difference among their art and experience as it is a passkey to what they share." xix (1) + 346 pp.Anne Middleton Wagner is Professor of the History of Art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire (1990).Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets., University of California Press, 1997, 5<

1996, ISBN: facb955cb46f064f58b4440bbcab62b3

Berkeley: University of California Press, 1996. First edition. Cloth. Good +/very good. Quarto. 346 pp. Illustrated in color and b/w. Bit of a spine roll, else a very good example in re… Más…

Berkeley: University of California Press, 1996. First edition. Cloth. Good +/very good. Quarto. 346 pp. Illustrated in color and b/w. Bit of a spine roll, else a very good example in red cloth binding in very good illustrated dustwrapper. A feminist perspective on these three artists., University of California Press, 1996, 2.75<

1998, ISBN: facb955cb46f064f58b4440bbcab62b3

Berkeley - Los Angeles - London: University of California Press. Good copy paper, xix + 346 pp, 101 illustrations mostely in B/W with a few in 4/C, note p. 295 through p 323, 6 pp selecte… Más…

Berkeley - Los Angeles - London: University of California Press. Good copy paper, xix + 346 pp, 101 illustrations mostely in B/W with a few in 4/C, note p. 295 through p 323, 6 pp selected bibliography. First paperback printing 1998. *Some ink underlinings and misc. ink marks throughout. . Good. Paper. 1996., University of California Press, 1996, 2.5<