2014, ISBN: 9780300080469

Boston. 2014. February 2014. David R. Godine. 2nd Printing. Very Good in Dustjacket. 9781567925111. 181 pages. hardcover.. FROM THE PUBLISHER - The good life that society prescribes -- th… Más…

Boston. 2014. February 2014. David R. Godine. 2nd Printing. Very Good in Dustjacket. 9781567925111. 181 pages. hardcover.. FROM THE PUBLISHER - The good life that society prescribes -- the untrammeled pursuit of wealth and fame, leisure and consumption -- often leaves some essential part of us malnourished. We may be capable, competent individuals yet find ourselves starved for avenues of engagement that provide more satisfying sustenance. Furniture making, practiced as a craft in the twenty-first century, is a decidedly marginal occupation. Yet the view from the periphery can be illuminating. For woodworker Peter Korn, the challenging work of bringing something new and meaningful into the world through one's own volition -- whether in the arts, the kitchen, or the marketplace -- is exactly what generates the authenticity, meaning, and fulfillment for which many of us yearn. In this moving account, Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution. This is not a 'how-to' book in any sense. Korn wants to get at the why of craft in particular, and the satisfactions of creative work in general, to understand their essential nature. How does the making of objects shape our identities? How do the products of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently, and often poignantly, in this personal, introspective, and revealing book. 'Peter Korn writes that his work as a furniture-maker tries to accomplish three goals: integrity, simplicity, and grace. Fortunately, these qualities are also what distinguish his writing. In this book, he gives the reader an almost tangible sense of what it takes to be a creative craftsman, a homo faber, a maker of things, which is one of the central elements of the human condition. But he does much more than that: he explores what the search for self and for belonging entails in our rapidly changing times.' --Mihaly Csikszentmihalyi. 'Peter Korn's brilliant new book resonates with me as a visual artist in a profound way. I share his passion for craft and admire his ability to take a plank of wood and fashion anything he sets his mind to. Throughout the centuries, furniture makers and painters have shared a set of belief systems centered on craft. The pleasure and calm that I get as a painter fashioning a complicated work from colored dirt on canvas is, I believe, the same pleasure and peace that Peter Korn and his students get as craftsmen.' --Chuck Close. inventory #40834 ISBN: 9781567925111., 0, New Haven: Yale University Press, 2000. Hardcover. First edition, first printing. Near Fine clothbound hardcover with a bump to one tip, otherwise fine, in a Near Fine dust jacket with a touch of soiling. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Text by Andrea Kirsh and Rustin S. Levenson. xiii + 328 pages; 267 b&w and color illustrations; 8.25 x 10.5 inches. Appendices; bibliography; glossary; index. Review copy with the publisher's press release laid-in. Due to size and weight, international and expedited shipping may be more than quoted., Yale University Press, 2000, 0<

2000, ISBN: 0300080468

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[EAN: 9780300080469], [SC: 73.31], [PU: Yale University Press, New Haven], Jacket, First edition, first printing. Near Fine clothbound hardcover with a bump to one tip, otherwise fine, in… Más…

[EAN: 9780300080469], [SC: 73.31], [PU: Yale University Press, New Haven], Jacket, First edition, first printing. Near Fine clothbound hardcover with a bump to one tip, otherwise fine, in a Near Fine dust jacket with a touch of soiling. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Text by Andrea Kirsh and Rustin S. Levenson. xiii + 328 pages; 267 b&w and color illustrations; 8.25 x 10.5 inches. Appendices; bibliography; glossary; index. Review copy with the publisher's press release laid-in. Due to size and weight, international and expedited shipping may be more than quoted., Books<