ISBN: 9781402032806

In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. This work of art history and art research should be part of… Más…

In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. This work of art history and art research should be part of every serious art historical institute, university or museum. The Nile on eBay   FREE SHIPPING UK WIDE   A Corpus of Rembrandt Paintings IV by Ernst van de Wetering Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. FORMATHardcover LANGUAGEEnglish CONDITIONBrand New Publisher Description Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt's self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come. Notes Gives a full overview of the self-portraits of Rembrandt, and the leading Rembrandt experts extensively discuss and describe all self-portraitsFor each Rembrandt self-portrait a thorough analysis is made, using all present day information and technologies, to describe the work of artGives the criteria which are used to determine whether a self-portrait of Rembrandt can be attributed to himServes as the authoritative reference work of today for Rembrandt's self-portraitsCovers the full range of Rembrandt's paintings and paintings attributed to him together with the other Volumes in A Corpus of Rembrandt PaintingsContains more than 250 colour images of (details of) Rembrandt paintingsOfficial publication of the work done by the Rembrandt Research Project based in Amsterdam, covering over thirty years of research Table of Contents Preface, The Rembrandt Research Project - Past, Present and Future Summary, The Genesis of this volume and a survey of its contents Chapter I, By his own hand - The valuation of autograph paintings in the 17th century Jaap van der Veen Chapter II, Rembrandt's clothes - Dress and meaning in his self-portraits Marieke den Winkel Chapter III, Rembrandt's self-portraits- problems of authenticity and function Ernst van den Wetering Chapter IV, Grounds in Rembrandt's work-shop and in paintings by his contemporaries C. (Karin) M. Groen Bibliographical Information 1643-1669 Catalogue Corrigenda et Addenda Tables and Indexes Review This is an enthralling book that opens a wide window onto art-historical method. A range of disciplines - scientific analysis, connoisseurship, costume history - are employed with great lucidity. (Times Literary Supplement January, 6th 2006) Long Description Since the second half of the last century art historians, realizing that the image of Rembrandt's work had become blurred with time, have attempted to redefine the artist's significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today's sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis -- thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt's early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume IV, planned publication date: August 2005. Volume IV of the Corpus deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt's self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come. Review Quote This is an enthralling book that opens a wide window onto art-historical method. A range of disciplines - scientific analysis, connoisseurship, costume history - are employed with great lucidity. (Times Literary Supplement January, 6th 2006) Feature Gives a full overview of the self-portraits of Rembrandt, and the leading Rembrandt experts extensively discuss and describe all self-portraits For each Rembrandt self-portrait a thorough analysis is made, using all present day information and technologies, to describe the work of art Gives the criteria which are used to determine whether a self-portrait of Rembrandt can be attributed to him Serves as the authoritative reference work of today for Rembrandt's self-portraits Covers the full range of Rembrandt's paintings and paintings attributed to him together with the other Volumes in A Corpus of Rembrandt Paintings Contains more than 250 colour images of (details of) Rembrandt paintings Official publication of the work done by the Rembrandt Research Project based in Amsterdam, covering over thirty years of research Details ISBN1402032803 Short Title CORPUS OF REMBRANDT PAINTINGS Series Rembrandt Research Project Foundation Language English ISBN-10 1402032803 ISBN-13 9781402032806 Media Book Format Hardcover Series Number 4 Year 2005 Edited by Ernst van de Wetering Birth 1938 Edition 1st Translator M. Pearson Imprint Springer-Verlag New York Inc. Place of Publication New York, NY Country of Publication United States Subtitle Self-Portraits Pages 690 DOI 10.1023/b104719 UK Release Date 2005-10-18 AU Release Date 2005-10-18 NZ Release Date 2005-10-18 US Release Date 2005-10-18 Author Ernst van de Wetering Publisher Springer-Verlag New York Inc. Edition Description 1st ed. 2005. Corr. 3rd printing 2013 Publication Date 2005-10-18 Alternative 9781402032769 DEWEY 759.9492 Illustrations XXXIV, 690 p. Audience Professional & Vocational We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! 30 DAY RETURN POLICYNo questions asked, 30 day returns! FREE DELIVERYNo matter where you are in the UK, delivery is free. SECURE PAYMENTPeace of mind by paying through PayPal and eBay Buyer Protection TheNile_Item_ID:136143228; , Festpreisangebot, [LT: FixedPrice], ISBN-13: 9781402032806, Book Title: A Corpus of Rembrandt Paintings IV, Publication Year: 2005, Type: Textbook, Format: Hardcover, Language: English, Publication Name: A Corpus of Rembrandt Paintings Iv: Self-Portraits, Item Height: 280mm, Item Width: 210mm, Subject: Hist, Springer-Verlag NY Inc.<

2005, ISBN: 9781402032806

Self-Portraits, Buch, Hardcover, 1st ed. 2005. Corr. 3rd printing 2013, Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly writ… Más…

Self-Portraits, Buch, Hardcover, 1st ed. 2005. Corr. 3rd printing 2013, Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt?s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come. [PU: Springer-Verlag New York Inc.], Seiten: 690, Springer-Verlag New York Inc., 2005<

ISBN: 9781402032806

Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Edi… Más…

Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come., Springer<

2005, ISBN: 9781402032806

HARDBACK, New book, P xxxii + 690., [PU: Springer]