1995, ISBN: 0838635598
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1995, ISBN: 9780838635599
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1995, ISBN: 9780838635599
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1995, ISBN: 0838635598
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1995, ISBN: 0838635598
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1995, ISBN: 0838635598
[EAN: 9780838635599], Gebraucht, wie neu, [PU: Fairleigh Dickinson Univ Pr], Hardcover and dust jacket. Good binding and cover. Minor shelf wear. Clean, unmarked pages. 387 pages, 24 cm. … Más…
1995, ISBN: 9780838635599
Fairleigh Dickinson University Press,U.S. Gebundene Ausgabe, 392 Seiten, Publiziert: 1995-04-01T00:00:01Z, Produktgruppe: Buch, 1.63 kg, Dramatik, Gattungen & Stilrichtungen, Literaturges… Más…
1995
ISBN: 9780838635599
[ED: Leinen], [PU: Ass. University Presses], m. Schutzumschlag, DE, [SC: 4.00], wie neu, privates Angebot, 387, [GW: 700g], [PU: Madison. London, Toronto387], Banküberweisung, Selbstabhol… Más…
1995, ISBN: 0838635598
[EAN: 9780838635599], Neubuch, [PU: Fairleigh Dickinson Univ Pr], Brand New Hardcover Book, Books
1995, ISBN: 0838635598
[EAN: 9780838635599], Neubuch, [PU: UNKNO], New, Books
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The first half of the volume focuses in particular on traditional comic masks and the pleasures of repetition and recognition, on the comedy of imposture, disguise, and deception, on dramatic and verbal irony, on social and theatrical role-playing and the comic possibilities of plays-within-plays and "metatheatre," as well as on the cliches, puns, witticisms, and torrents of gibberish which betray that language itself may be understood as a sort of mask. The second half of the book moves to the other side of the footlights to show how the spectators themselves, identifying with the comic spectacle, may be induced to "drop" their own roles and postures, laughter here operating as something akin to a ventilatory release from the pressures of social or cognitive performance. Here the essay examines the subversive madness inherent in comedy, its displaced anti-authoritarianism, as well as the violence, sexuality, and bodily grotesqueness it may bring to light. The structural tensions in this broadly Hobbesian or Freudian model of a social mask concealing an anti-social self are reflected in comedy's own ambivalences, and emerge especially in the ambiguous concepts of madness and folly, which may be either celebrated as festive fun or derided as sinfulness. The study concludes by considering the ways in which nonsense and the grotesque may infringe our cognitive limitations, here extending the distinction between appearance and reality to a metaphysical level which is nonetheless prey to unresolvable ambiguities.
The scope of the comic material ranges over time from Aristophanes to Martin Amis, from Boccaccio, Chaucer, Rabelais, and Shakespeare to Oscar Wilde, Joe Orton, John Barth, and Philip Roth. Alongside mainly Old Greek, Italian, French, Irish, English, and American examples, a number of relatively little-known German plays (by Grabbe, Tieck, Buchner, and others) are also taken into consideration.
Detalles del libro - Madness, Masks, and Laughter: An Essay on Comedy
EAN (ISBN-13): 9780838635599
ISBN (ISBN-10): 0838635598
Tapa dura
Año de publicación: 1995
Editorial: Fairleigh Dickinson University Press,U.S.
Libro en la base de datos desde 2008-01-23T06:14:14+01:00 (Madrid)
Página de detalles modificada por última vez el 2022-06-04T21:02:06+02:00 (Madrid)
ISBN/EAN: 0838635598
ISBN - escritura alterna:
0-8386-3559-8, 978-0-8386-3559-9
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Título del libro: comedy masks, essay comedy
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