2004, ISBN: 9780609807231

Pasta dura

Englewood Cliffs, NJ: Prentice Hall, 1993. viii, 367 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. An interesting anthology. … Más…

Englewood Cliffs, NJ: Prentice Hall, 1993. viii, 367 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. An interesting anthology. Sections on "Art and Religion," "Art Patronage," "Art and Politics," "Women and Art," "Issues Concerning Race and Ethnicity," "Public Art," and "Controversies Over Government Funding and Censorship." CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of feminity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or : Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object : thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of femininity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or: Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object: thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King.. 1st. Paperback. Very Good. 8vo., Prentice Hall, 1993, 3, New York: Plume Books; Penguin, 2002. 366 pages; 22 cm. Tight, clean copy. Light shelfwear to wraps, age toning. Another copy available. Novel. "A daring and brilliantly inventive novel about one of the most celebrated female artists of the twentieth century, immortalized in the upcoming Miramax film starring Salma Hayek. Narrated by Frida Kahlo's younger sister, Cristina, this haunting and powerful fictional account chronicles Kahlo's life, from a childhood shadowed by polio to the accident at eighteen that left her barren, from her marriage to larger-than-life muralist Diego Rivera through her tragic decline into alcoholism and drug abuse. Through it all, Cristina is her sister's intimate confidante - and then her bitter antagonist when she has a not-so-secret affair with Rivera. A towering tale of love, jealousy, betrayal, and sibling rivalry played out on a teeming canvas, Frida captures the essence of a passionate, tormented, and ferociously gifted woman. It is a compelling and intensely human portrait of an artist who would become an enduring icon for generations to come. / Bárbara Mujica is a novelist, short story writer, essayist and critic. Frida, her latest novel, is based on the tumultuous relationship between Frida Kahlo and Diego Rivera, and the rivalry between Frida and her sister Cristina for Diego's affection. A Professor of Spanish at Georgetown University, Mujica is a specialist in Early Modern Spanish literature and Latin American culture who has written extensively on Spanish literature, mysticism, the pastoral novel, and seventeenth-century theater, and her articles have appeared in many academic journals. She is also director of El Retablo, Georgetown University's Spanish-language theater group. Other book-length fiction includes The Deaths of Don Bernardo (novel, 1990), Sanchez across the Street (stories, 1997), Far from My Mother's Home which is currently being translated into French (stories, 1999), and Affirmative Actions! (2000). Appearing in numerous magazines including The Minnesota Review, Pangolin Papers, and The Literary Review, and anthologies such as Where Angels Glide at Dawn, eds. Lori Carlson and Cynthia Ventura, Intro. Isabel Allende (1990, 1993), What Is Secret: Stories by Chilean Women, ed. Marjorie Agosín (1995), Two Worlds Walking, ed. C. W. Truesdale and Diana Glancy (1994), and The House of Memory, ed. Marjorie Agosín (1999), Dr. Mujica's short stories have been nominated for numerous awards and prizes." - Publisher.. Paperback. Very Good. 8vo., Plume Books; Penguin, 2002, 3, London: Picador, 2004. First edition. Hardback. Very Good/Very Good. Picador, London, 2004. First edition. Book condition: very good and unread. Dust jacket: very good. Unclipped. Minor edge wear only, slight fade to spine and faint discolouration to edges of flaps. A dazzlingly inventive story that blends techno-thriller, historical fantasy, philosophy and farce with a cast of characters that includes composers, scientists, geniuses and madmen. A story of wit and ambition - a homage to classic literature and an indictment to cultural relativism - and an earth shattering climax., Picador, 2004, 3, US: Three Rivers Press, 2001. Paperback. Near Fine. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. James Twitchell takes an in-depth look at the ads and ad campaigns-and their creators-that have most influenced our culture and marketplace in the twentieth century. P. T. Barnum's creation of buzz, Pepsodent and the magic of the preemptive claim, Listerine introducing America to the scourge of halitosis, Nike's "Just Do It," Clairol's "Does She or Doesn't She?," Leo Burnett's invention of the Marlboro Man, Revlon's Charlie Girl, Coke's re-creation of Santa Claus, Absolut and the art world-these campaigns are the signposts of a century of consumerism, our modern canon understood, accepted, beloved, and hated the world over., Three Rivers Press, 2001, 4<

2001, ISBN: 9780609807231

Perennial. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light sta… Más…

Perennial. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included., Perennial, 2.5, US: Three Rivers Press, 2001. Paperback. Near Fine. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. James Twitchell takes an in-depth look at the ads and ad campaigns-and their creators-that have most influenced our culture and marketplace in the twentieth century. P. T. Barnum's creation of buzz, Pepsodent and the magic of the preemptive claim, Listerine introducing America to the scourge of halitosis, Nike's "Just Do It," Clairol's "Does She or Doesn't She?," Leo Burnett's invention of the Marlboro Man, Revlon's Charlie Girl, Coke's re-creation of Santa Claus, Absolut and the art world-these campaigns are the signposts of a century of consumerism, our modern canon understood, accepted, beloved, and hated the world over., Three Rivers Press, 2001, 4<

ISBN: 9780609807231

Crown. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy… Más…

Crown. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Crown, 2.5<

2001, ISBN: 9780609807231

Broadway Books, 2001-12-01. Paperback. Good. Some wear, but still a good reading copy.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much fa… Más…

Broadway Books, 2001-12-01. Paperback. Good. Some wear, but still a good reading copy.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders., Broadway Books, 2001-12-01, 2.5<